This spacial acoustic effect interacts with the room in a complex and exciting way to produce that powerful sound we all love to hear.

We model what happens between the sound source, which is the mouth of the horn in a mechanical rotary, and the wall of the cabinet to each of the four sides of the cabinet, with the sound continually changing as it orbits.

This modeling consists of:

• Amplitude


• Frequency


• Differential delays


• Phase cancellations

The engineering disciplines used to implement this modeling are:

• Mechanical


• Electrical


• Software


• DSP coding


• Acoustic wave proprogation, with a whole career in antenna array designs

Make no mistake, the ORBITED speaker system is not a simulator.

The sound that comes out of the ORBITED cabinet speaker is exactly the same as the sound that comes out of the mechanical rotary speaker.

Here's the proof; it's clear and simple: Physics.

Physics drives the sophicated speaker configuration to create 90 degree radiation patterns and line arrays from each of the four faces of the cabinet that are critical to this technology.

The same complex and continuously changing paths are there, just as in the mechanically rotating speaker.

Yes, it takes some digital signal processing and special speakers to model what goes on inside a rotating speaker cabinet, but the real magic happens outside the box, interacting with the room, the sound cancelling and reinforcing while filling the room with a wonderfully moving music.

Therefore, the ORBITED speaker has an acoustic effect, not an electronic effect.

If your gear says ^®, Super ^TM or ^®, then it's a product of Amplification^TM.

It's the REAL !

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